African Indigenous Language Film Festival, AILFF 2024 holds in Asaba, Dec 12-14

AILFF’24 will bring together filmmakers, scholars, cultural advocates, and students from across Africa and beyond, fostering a vibrant dialogue on the influence of indigenous languages in filmmaking… @Ailff, we don’t just discuss films; we delve into indigenous languages, arts, culture, and tourism, all intertwined to create a unique and authentic identity of African hospitality

THE expansive Film Village in Asaba, Delta State is set for a feast of cultural extravaganza as the 2024 African Indigenous Language Film Festival, AILFF  holds December 12-14.

With “Showcasing Africa’s Rich Cultural and Tourism Riches Through Filmmaking,” as the theme, the festival “aims to highlight the significance of indigenous languages in film, promote cultural diversity, and support local filmmakers,” stated the AILFF founder, Osezua Stephen-Imobhio.

“This year, AILFF’24 will bring together filmmakers, scholars, cultural advocates, and students from across Africa and beyond, fostering a vibrant dialogue on the influence of indigenous languages in filmmaking,” said the festival convener.

He continues, “@Ailff, we don’t just discuss films; we delve into indigenous languages, arts, culture, and tourism, all intertwined to create a unique and authentic identity of African hospitality.

“When we launched our first edition last year, we were clear about our objectives, which were unambiguously defined: to preserve, promote, and project our indigenous languages, arts, culture, and tourism riches through filmmaking.

“Our laser-focus kept us from being distracted; our presentations, film screenings, exhibitions, and networking all reflected our identity—our African essence.

“From well-structured keynote presentations to carefully curated selections of authentic African stories in beautifully shot films in Indigenous languages, along with networking opportunities and celebrations with outstanding filmmakers, investors, film students, and enthusiasts — we have everything lined up for you!”

The keynote will be delivered at the opening ceremony by Prof. Barclays Ayakoroma, Deputy Vice-Chancellor of the University of Africa in Toru Orua, Bayelsa State, disclosed Stephen Imobhio.

The second day of the festival will have Prof. Joyce Ogho Ogwezi, Head of the Mass Communication Department at Dennis Osadebay University, Asaba, giving keynote on “Cultural Politics in Pixel: The Interplay Between Social Media and Film Representation.” Prof. Ogwezi will be expected to scrutinise the intricate dynamics between social media discussions and the representation of cultural narratives in film. “By analysing the backlash against Idris Elba’s casting as Okonkwo in the film adaptation of Chinua Achebe’s iconic novel, “Things Fall Apart,” Prof Ogwezi aims to highlight broader themes of authenticity, identity politics, and the shifting paradigms of narrative representation in the digital era,” said Stephen-Imobhio.

“A noted expert in African culture and media studies, Prof. Ogwezi emphasises the importance of authentic cultural representation in film, particularly in the context of colonially influenced narratives. Her insights are crucial as social media increasingly becomes a platform for marginalized voices to challenge dominant portrayals, allowing for a richer, more nuanced understanding of cultural identity.

“Prof. Ogwezi’s research explores not only the impact of social media on cultural narratives but also the historical context of works like “Things Fall Apart.” She advocates for a more inclusive dialogue that respects and acknowledges the complexity of African cultures, urging filmmakers to consider the implications of their casting choices both artistically and culturally.”

Last month, the festival directorate announced the appointment of Hannah Nwasor,  as Coordinator of the festival. She was described as “a seasoned film production professional known for her adeptness at delivering quality content for both cinema and television.”

“In her new capacity as coordinator of AILFF’24, Nwasor aims to celebrate and promote the diverse linguistic and cultural heritage of Africa through film. Her vision for the festival includes showcasing indigenous stories, fostering talent, and creating an engaging platform for filmmakers who communicate through their native languages. This aligns perfectly with the festival’s theme of showcasing Africa’s cultural and tourism riches, which Nwasor will integrate into the programming,” stated the festival directorate.

“I am incredibly honoured to take on this role for AILFF’24,” said Nwasor reacting to her appointment. “I look forward to working alongside talented filmmakers and creatives as we shine a spotlight on the richness of African stories told in indigenous languages. This festival is a unique opportunity to honour our heritage while embracing the future of cinema.”

A statement from the Festival founder, Stephen-Imobhio read further: “In addition, the festival will host workshops focusing on essential skills for aspiring filmmakers, including storytelling, acting for the screen, and cinematography. Esteemed actors and filmmakers Hilda Dokubo, Sam Dede, and Fred Mayford will share their expertise in these sessions, providing practical knowledge and techniques that participants can apply to their own projects.

“Similarly, the event will also feature a variety of workshops, with sessions led by esteemed figures in the film and tourism sectors. Faridah Sagaya, a renowned tourism and travel expert, and Dr. Dahiru Bala from the Bank of Industry will lead a critical discussion on strategies for attracting funding for film productions. They will provide participants with valuable insights into securing the financial support necessary for bringing creative visions to life.

“Organisers have assembled a team of experts to address complex challenges within the film industry, simplifying issues that filmmakers often encounter. This unique opportunity allows participants to engage directly with industry veterans and gain insights that can be pivotal in their filmmaking journeys.

“Beyond the workshops and presentations, attendees can look forward to an exciting cultural experience that includes tours of Asaba’s intriguing film sites and an opportunity to savor the renowned hospitality of the city. With ample networking opportunities and festive gatherings, AILFF’24 promises to be a rollicking affair that combines education, entertainment, and cultural exchange.

“With a fulfilling program packed with learning, networking, and cultural engagement, AILFF’24 is set to illuminate the rich tapestry of African storytelling through cinema. Don’t miss the chance to be a part of this groundbreaking festival in Asaba this December. “

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AILFF: More than just a film festival — Founder

THE African Indigenous Language Film Festival is more than just a series of screenings. It represents a profound commitment to the preservation, promotion, and projection of our authentic African identity. We invite everyone to join us in this celebration of culture, creativity, and community as we ensure that our stories and languages are not only heard but cherished for years to come.

Profiles

HANNAH NWASOR, festival coordinator

A SEASONED film production professional known for her adeptness at delivering quality content for both cinema and television, Hannah has over her ten-year career, she has successfully managed a range of productions, from high-end projects to smaller-scale endeavors, showcasing her versatility and commitment to the craft. Nwasor’s four years of supervisory experience across various units of film production—from creative development to distribution—position her as an invaluable asset for the festival.

An imaginative author and writer, Nwasor is well-versed in story research, development, and screenwriting, further enhancing her qualifications for the role. She is the producer and writer of Bitter Rain, currently showing on Amazon Prime Video, which has been praised for its compelling narrative and production quality. Additionally, she served as both producer and executive producer for Mercy Line, also available on Amazon Prime Video in North America (TVOD), and Side Hens, dubbed an interesting flick

In her new capacity as coordinator of AILFF’24, Nwasor aims to celebrate and promote the diverse linguistic and cultural heritage of Africa through film. Her vision for the festival includes showcasing indigenous stories, fostering talent, and creating an engaging platform for filmmakers who communicate through their native languages. This aligns perfectly with the festival’s theme of showcasing Africa’s cultural and tourism riches, which Nwasor will integrate into the programming.

“I am incredibly honorued to take on this role for AILFF’24,” said Nwasor. “I look forward to working alongside talented filmmakers and creatives as we shine a spotlight on the richness of African stories told in indigenous languages. This festival is a unique opportunity to honour our heritage while embracing the future of cinema.”

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PROFESSOR AYAKOROMA, keynoter 1:

WITH an extensive background in theatre arts and film studies, with a Bachelor’s degree in Theatre Arts from the University of Calabar, a Master’s degree from the University of Ibadan, and a Doctorate in Film Studies from the University of Port Harcourt, Professor Ayakoroma’s academic achievements reflect a profound passion for indigenous narratives, demonstrated through his extensive portfolio of over eighty published articles and acclaimed plays.

“Throughout his illustrious career, Professor Ayakoroma has made significant contributions to Nigerian culture and arts. He previously lectured in the Department of Theatre Arts at the University of Port Harcourt, where he played a pivotal role in the Bayelsa Community Theatre Programme through his consultancy with Living Earth Nigeria Foundation. His notable works, including the award-winning plays “A Matter of Honour” and “Dance on his Grave,” are now incorporated into the Bayelsa State Junior Secondary School syllabus, highlighting his influential role in education.

“In addition to his artistic endeavors, Professor Ayakoroma has held key positions in various cultural institutions, including his role as Executive Director of the Bayelsa State Council for Arts & Culture and as Executive Secretary/CEO of the National Institute for Cultural Orientation (NICO). Under his leadership, NICO gained recognition for its positive performance and initiatives that showcased Nigeria’s rich cultural heritage on international platforms, including the successful inscription of the Argungu International Fishing and Cultural Festival on UNESCO’s Intangible Cultural Heritage list.

“As a prominent authority in theatre and filmmaking, Professor Ayakoroma’s keynote address will undoubtedly shed light on the intersection of indigenous languages and film, a crucial topic as the global community seeks to preserve and promote African cultures.

“I am excited to discuss the power of indigenous languages in shaping authentic African narratives and how they drive engagement in the film industry,” Professor Ayakoroma remarked in anticipation of the festival.

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JOYCE OGHO OGWEZI (Prof): Keynote 2

A DISTINGUISHED scholar in the field of Mass Communication, currently serving as the Head of the Department at Dennis Osadebay  University, Asaba, Delta State. With an academic background steeped in media studies and African cultural studies, she has dedicated her career to exploring the intersections of media representation, cultural identity, and social influence.

Prof. Ogwezi holds a Ph.D. in Media Studies from a prestigious institution and has authored several peer-reviewed articles and books addressing themes of representation in contemporary media. Her work specifically focuses on how narratives surrounding African identities are constructed and deconstructed within film, television, and digital platforms.

Throughout her career, Prof. Ogwezi has played a vital role in fostering discourse around cultural authenticity and representation, inspiring a generation of students and scholars to engage critically with the media they consume. She is a frequent speaker at conferences and workshops, where she advocates for diversity and inclusive representation in the media landscape.

As a keynote speaker at AILFF’24, Prof. Ogwezi is poised to contribute deeply to the ongoing dialogue about cultural politics in contemporary society, positioning her insights as a guiding light for aspiring filmmakers, scholars, and cultural critics alike.

Join us for an insightful exploration of these critical issues at the African Indigenous Language Film Festival (AILFF’24) on December 12th to 14th, 2024, at the Amphitheatre, Film Village, Asaba, Delta State.

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FARIDAH OLABAMBO SAGAYA, keynoter 3

WITH over two decades of experience, Mrs. Sagaya is the CEO of Angel Style World Travels and Tours Ltd, one of Nigeria’s premier travel and tour companies. Her firm is recognized for providing top-quality services to discerning clients, promoting both local and international tourism. Fondly referred to as “Bambo,” Sagaya is deeply passionate about showcasing the art, culture, and heritage of Africa’s diverse tourist destinations, with a particular emphasis on Nigeria and West Africa. Her commitment to creating unforgettable experiences for travelers has become a cornerstone of her professional identity.

Sagaya’s expertise has earned her numerous accolades within the tourism industry. In 2020, she was inducted into the Tourism 100 Club as one of Nigeria’s top tourism personalities and was honored in 2021 as the Tourism Supporter of the Year. Under her leadership, Angel Style World Travels and Tours Ltd was awarded the Best Domestic Tour Operator at the Balearica Nigeria Tourism Awards in 2020, further solidifying her reputation as a trailblazer in the industry.

An advocate for community-based tourism, Mrs. Sagaya also serves as the Treasurer of SKAL International Lagos, a professional association promoting global tourism and camaraderie within the industry. She is not only the Nigerian Ambassador for the African Tourism Board (ATB) but also a registered Lite Member of the African Business Travel Association (ABTA). Additionally, she holds the position of Kwara State Coordinator for the Nigeria Association of Tour Operators (NATOP) and is an active member of several other organizations, including the National Association of Nigeria Travel Agencies (NANTA) and the Association of Women Travel Executives of Nigeria (AWTEN).

Mrs. Sagaya’s upcoming presentation at AILFF’24 is expected to offer invaluable insights into how the film industry can serve as a powerful tool for destination marketing. With the growing recognition of cinema’s role in influencing travel decisions, her exploration of this relationship will provide a fresh perspective for filmmakers, industry stakeholders, and audiences alike. By highlighting successful case studies and innovative marketing strategies, she aims to inspire a new wave of collaboration between filmmakers and tourism practitioners.

As anticipation builds for the African Indigenous Language Film Festival, Mrs. Sagaya’s participation underscores the event’s commitment to enhancing cultural dialogue and fostering partnerships that enrich both the film and travel industries. Attendees can look forward to a thought-provoking session that promises to illuminate the potential of cinema as a catalyst for tourism growth across the continent.

In closing, Mrs. Faridah Sagaya’s involvement in AILFF’24 is not only a testament to her leadership in African tourism but also a vital contribution to elevating the intersection of film and travel, paving the way for vibrant cultural exchanges and economic opportunities in Nigeria and beyond.